Aims and Intentions - First Draft
Learner's Name: Michael Quigley-Smith
Word Count: 405
I have decided to make a psychological thriller that utilises striking visuals and an unstable sense of reality channelled through the protagonist to create an unnerving drama that also contains the suspense and mystery elements of crime shows.
Word Count: 405
I have decided to make a psychological thriller that utilises striking visuals and an unstable sense of reality channelled through the protagonist to create an unnerving drama that also contains the suspense and mystery elements of crime shows.
My programme will jump between reality and the protagonist’s
dreamscapes, and the latter will be indicated with block-colour lighting and
odd camera angles, which will act to disorient the audience, offering them a
unique viewing experience. During a scene where the main character is running
from an unknown something, the cuts will be rapid and the camerawork shaky, creating
tension, and when the protagonist is haunted by visions of one of the killer’s
victims taunting him, the camera will move slowly and smoothly in binary
opposition to the running scene, which will vary the show’s pace and in turn
maintain the interest of the audience. Conversely, reality will be shown in a
more standard, yet still cinematic, manner, with less extreme colours, lighting
and camerawork. This strong visual contrast between the two worlds will allow for
audiences to know which world they’re in, although the separation may not
always seem so obvious for the sake of creating a restricted enigmatic narrative,
which will appeal to audiences of crime dramas who want to experience the
mystery unravelling along with the protagonist.
The main character of the show, haunted by his dreams as he
is, is a depiction of a person who is experiencing residual trauma from both
his past and his failure to catch the killer on the loose. This is a familiar
character archetype for fans of the genre: an efficient cop who is haunted by
some event/failure in their past, so will appeal to audiences of crime dramas. The
fact that the protagonist has a partner as well will be familiar also, making
the show recognisable, but the reality-bending elements of the programme will
serve as a unique selling point, appealing to crime drama audiences by looking
and being something different, and also bringing fans of the horror and
psychological thriller genres in with its visuals and distorted narrative.
ITV is a private broadcasting channel who had huge success
with Broadchurch, a show that took the crime genre and made something different
out of it. This show aims to do the same: take familiar elements of the crime
drama genre and add a twist to them; in this case the twist is the
psychological horror elements.
Strong, complex idea: can you put pitch ideas on to clarify?
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